[ad_1]
ll_r=”rlanestudio”;ll_bc=”#ffffff”;ll_hc=”#e22121″;ll_tc=”#555a69″;ll_cc=”#8d9aa6″;ll_dc=”#8891a8″;ll_w=””;ll_nf=”0″;ll_nc=”1″;ll_nh=”0″;ll_nm=”0″;ll_np=”1″;ll_pa=”0″;ll_nt=”0″;ll_wt=”1″;ll_fw=”1″;ll_n=”6″;ll_cl=””;ll_s=”w”;
Rosalind Moran: From botched frescoes to crude online cartoons, why is there such appeal in art and meme language that is stylistically simple and childish? As the internet democratises art making and viewing, artists considered traditionally unworthy by galleries can find huge followings online. Pterrible Dinosaur Drawings, David Shrigley, Ecce Mono, Keith Haring
ll_r=”rlanestudio”;ll_bc=”#ffffff”;ll_hc=”#e22121″;ll_tc=”#555a69″;ll_cc=”#8d9aa6″;ll_dc=”#8891a8″;ll_w=””;ll_nf=”0″;ll_nc=”1″;ll_nh=”0″;ll_nm=”0″;ll_np=”1″;ll_pa=”0″;ll_nt=”0″;ll_wt=”1″;ll_fw=”1″;ll_n=”6″;ll_cl=””;ll_s=”w”;
[ad_2]
Source link