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Hamra Abbas approaches the concept of abstraction through the legacy of Islamic geometry as well as the lens of hard-edge abstraction. In her mosaics she draws a bridge between the material world and the realm of idea. The earth and heaven. Abstraction, as prime concern and motif, is visible in the canvases and works on paper by Mohammad Ali Talpur. His stark surfaces, with their webs of horizontal, vertical, and perpendicular lines, invoke a sense of disorientation. The artist’s decision to engage with abstraction is part of a conscious choice to eschew the popular imagery considered necessary in a post-colonial society.
Most of these artists, currently residing in Lahore, also teach art – a unique phenomenon for South Asia. And thanks to their contribution, Lahore’s art schools have become a hotbed of intellectual discourse. The NCA, the oldest art school in the country, which was established as the Mayo School of Arts in Lahore in 1875, has trained some of the leading names of Pakistani art, including Zahoor ul Akhlaq and Anwar Saeed, as well as Rana, Sikander, Qureshi, and Khan.
BNU, with its Mariam Dawood School of Visual Art and Design (MDSVAD), was established more than 20 years ago. Here, Rana, MDSVAD’s dean, has introduced an alternative art education system, rendered possible by the fact that BNU is a private university and so is unaffected by state restrictions and official directives.
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