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“I am content that my art has purposes. I want to have an effect in this time, in which people are so confused and in need of help.” — Käthe Kollwitz
Active in Berlin from the 1890s through the early 1940s, #KatheKollwitz forged an art of social advocacy that radically centered on the actions and circumstances of women. Focusing on themes of grief, love, motherhood, and resistance, she created unprecedented images of female protagonists with the will and agency to revolt as well as mourn and protect.
Explore Kollwitz’s legacy in art and advocacy in the first New York retrospective of her work, on view now at MoMA → mo.ma/kollwitz
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[1] Käthe Kollwitz. “Self-Portrait.” 1891–92. The Art Institute of Chicago. Purchased with funds provided by Margaret Day Blake, Mr. and Mrs. Alan Press, and Prints and Drawings Purchase Fund. The Art Institute of Chicago / Art Resource, NY [3] Käthe Kollwitz. “Female Nude, from Behind, on Green Cloth.” 1903. Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden. © Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden, photo by Herbert Boswank [3] Käthe Kollwitz. “The Mothers” from “War.” 1921–22, published 1923. The Museum of Modern Art, New York. Gift of the Arnhold Family in memory of Sigrid Edwards. Digital Image © 2024 The Museum of Modern Art, New York, photo by Robert Gerhardt [4] Käthe Kollwitz. “Never Again War!.” 1924. Käthe-Kollwitz-Museum Berlin/Association of Friends of Käthe-Kollwitz-Museum Berlin. © Käthe-Kollwitz-Museum Berlin/Association of Friends of the Käthe-Kollwitz-Museum Berlin
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